Scottish author and artist Alasdair Gray, regarded of among his country’s “literary giants”, has died aged85
The news was revealed by Gray’s publisher Canongate He passed away early in the early morning surrounded by family in medical facility, in his home city of Glasgow.
Gray’s fellow authors were among those to pay homage: Val McDermid said Gray “transformed our expectations of what Scottish literature could be”.
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Nicola Sturgeon, Scotland’s very first minister, called Gray a “decent principled person” in a tribute on Twitter, adding: “He’ll be kept in mind finest for the work of art that is Lanark, but whatever he composed showed his luster.
” Today, we mourn the loss of a genius, and think about his household.”
Family members released a declaration through Mr Gray’s publisher Canongate.
” Early today we lost a deeply loved member of our family,” they said. “Alasdair was a remarkable individual; very gifted and, much more importantly, extremely humane.
” He was distinct and irreplaceable and we will miss him greatly. We want to thank Alasdair’s lots of good friends for their love and support, especially in recent years, together with the personnel of the Queen Elizabeth medical facility, Glasgow, who treated him and us with such care and level of sensitivity during his short illness.”
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His agent Jenny Brown said: “We mourn Alasdair Gray’s passing, however his genius will reside on for readers through his impressive work.
” He was a cultural pioneer: nobody has done more to stimulate on, and give self-confidence to, the next generation of Scottish authors.”
Gray was born in Glasgow in 1934, and raised on an estate he once referred to as “among the earliest and most posh of the community real estate plans”.
He studied painting at the Glasgow School of Art, and worked as a muralist, part-time art teacher and theatrical scene painter while composing scripts for TELEVISION and radio.
His first book, Lanark, was released in 1981, when he was 46, and drew comparisons to James Joyce’s Ulysses This was followed by 1982’s speculative fantasy J a nine, and 1992’s reworking of Mary Shelley’s Frankenstein, Poor Things.
With his growing success as an author, Gray also began to be discovered for the illustrations he created to accompany his books; amongst his steady output of novels, narratives and non-fiction was an illustrated translation of Dante’s Inferno, which was released in2018
His public murals are noticeable across Glasgow, with additional pieces on display in the V&A and the Scottish National Gallery of Modern Art.
” I feel much healthier painting than writing,” Gray told The Guardian in 2010, “since when you’ve been composing a lot and your head is complete of words, you are still muscularly not exhausted, however you’re nervously tired, so in order to sleep you go out and drink greatly, unless you’re more disciplined than I am.”
Gray’s family have stated he desired to leave his body to science, and there will not be a funeral service.
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