That doesn't mean the work is easy. I recently founded my own business, The Folklore, an online retail concept store that stocks brands exclusively from Africa and the African diaspora. Already I’ve had to defend the earning potential of African designers to prospective non-African venture capitalists and investors, who were convinced that they wouldn’t sell well among non-African audiences. (Most of the pieces on my site have sold out.) I’ve argued against long-standing stereotypes that paint Africa’s business climate broadly as corrupt. I’ve invested my own money to launch the company, trusting that my vision will translate.


“It's important for designers to work for a bigger purpose, because fashion is so small. If you remove the social aspect of it and if you remove the day-to-day lifestyle of it, then we're just left with a pair of pretty shoes—and who cares? That's so disposable. You have to tell a story...you have to really touch people beyond yourself. It's bigger than you, it's bigger than us.”

“It's important for designers to work for a bigger purpose, because fashion is so small. If you remove the social aspect of it and if you remove the day-to-day lifestyle of it, then we're just left with a pair of pretty shoes—and who cares? That's so disposable. You have to tell a story...you have to really touch people beyond yourself. It's bigger than you, it's bigger than us.”
“I'm inspired by anything black. Black artists, musicians, activism. James Baldwin, Angela Davis, David Hilliard, Nina Simone—they inspired a project I just did, where each one inspired a look, but you wouldn't know from looking at it. I'm not trying to be so straightforward. If that were the case, I would just take my research and put it on a graphic T-shirt. The thing that informs all of my work is the black experience. That's just how my brain works, I can't help it. It's exciting to know that some people get the reference, no matter how secretive or subtle it may be.”
I LOVE this mascara. I have been using it for years. I have tried expensive mascara from high end brands, and everything in between. This is one I always come back to. The formula is great, but I think it’s the brush that does the real magic. I have even thoroughly cleaned the bottle and brush of an old bottle that I was done with, and used the brush with one of my crazy expensive name brand mascaras. The formula does start to get a little clumpy when it starts to get old, or if you keep using too many layers (and I mean like 5 or 6 layers). Thinking about stocking up...just in case they take it away or discontinue it for some reason... 

Accent your new glam vanity with a glittering, comfortable seat in the Michael Amini Melrose Plaza Vanity Bench . This square bench features a wide seat that's padded with plush foam. The frame is crafted from flattened steel slats and finished in a mirroresque polished chrome. Soft gray fabric upholsters the seat. The edge of the piece is trimmed with a multitude of tiny glass crystals and glimmer in the available light.
Add a glitzy touch to your master suite with this vanity set, a perfect place to get ready in the morning. Turned detailing on the legs add a traditional touch, while a scalloped apron introduces an eye-catching aspect. Four organizational drawers give you plenty of space to tuck away makeup, hairbrushes, and other accessories, while a three-paneled mirror features hinges to let you adjust it with ease. An upholstered seat is also included.
I LOVE this mascara. I have been using it for years. I have tried expensive mascara from high end brands, and everything in between. This is one I always come back to. The formula is great, but I think it’s the brush that does the real magic. I have even thoroughly cleaned the bottle and brush of an old bottle that I was done with, and used the brush with one of my crazy expensive name brand mascaras. The formula does start to get a little clumpy when it starts to get old, or if you keep using too many layers (and I mean like 5 or 6 layers). Thinking about stocking up...just in case they take it away or discontinue it for some reason...
“It's important for designers to work for a bigger purpose, because fashion is so small. If you remove the social aspect of it and if you remove the day-to-day lifestyle of it, then we're just left with a pair of pretty shoes—and who cares? That's so disposable. You have to tell a story...you have to really touch people beyond yourself. It's bigger than you, it's bigger than us.”
INGREDIENTS AQUA / WATER / EAU PARAFFIN POTASSIUM CETYL PHOSPHATE ACRYLATES COPOLYMER CERA ALBA / BEESWAX / CIRE DABEILLE COPERNICIA CERIFERA CERA / CARNAUBA WAX / CIRE DE CARNAUBA ETHYLENE/ACRYLIC ACID COPOLYMER STEARETH-2 CETYL ALCOHOL CARTHAMUS TINCTORIUS OIL / SAFFLOWER SEED OIL PHENOXYETHANOL HYDROXYETHYLCELLULOSE ACACIA SENEGAL / ACACIA SENEGAL GUM ETHYLENEDIAMINE/STEARYL DIMER DILINOLEATE COPOLYMER SODIUM DEHYDROACETATE CAPRYLYL GLYCOL HYDROGENATED JOJOBA OIL HYDROGENATED PALM OIL PROPYLENE GLYCOL DISODIUM EDTA SOLUBLE COLLAGEN SILICA [+/- MAY CONTAIN / PEUT CONTENIR CI 77491, CI 77492, CI 77499 / IRON OXIDES CI 77007 / ULTRAMARINES CI 77891 / TITANIUM DIOXIDE MICA CI 75470 / CARMINE CI 77288 / CHROMIUM OXIDE GREENS CI 77742 / MANGANESE VIOLET CI 77510 / FERRIC FERROCYANIDE ] ALCOHOL DENAT., ETHYLHEXYL METHOXYCINNAMATE, DIMETHICONE C ROS S P O LYME R , I S ODODE C A N E , I S O NON Y L I S O N O N A NOAT E , POLYURETHANE-2, MENTHYL LACTATE, DISTEARDIMONIUM HECTORITE, P O L Y M E T H Y L M E T H A C R Y L A T E , P H E N O X Y E T H A N O L , P E G - 9 POLYDIMETHYLSILOXYETHYL DIMETHICONE, ACRYLATES/C10-30 ALKYL ACRYLATE CROSSPOLYMER, SODIUM HYDROXIDE, DISODIUM STEAROYL GLUTAMATE, ETHYLHEXYLGLYCERIN, CARNOSINE, SODIUM DEHYDROACETATE, PEG-12 DIMETHICONE, DISODIUM EDTA, LYCIUM BARBARUM FRUIT EXTRACT, CHLORPHENESIN, PVP, ACRYLATES COPOLYMER, TOCOPHEROL, ASCORBYL, PALMITATE, PANTHENOL, POTASSIUM SORBATE, ALUMINUM HYDROXIDE, CITRIC ACID, PEG-9, GLUTAMYLAMIDOETHYL INDOLE, ACETYL HEXAPEPTIDE-1, DEXTRAN. [+/- MAY CONTAIN/PEUT CONTENIR: CI 77891/TITANIUM DIOXIDE, CI 77491, CI 77492, CI 77499/IRON OXIDES, M NEW/NOUVEAU ICA]. F.I.L. D53756/1
“It's important for designers to work for a bigger purpose, because fashion is so small. If you remove the social aspect of it and if you remove the day-to-day lifestyle of it, then we're just left with a pair of pretty shoes—and who cares? That's so disposable. You have to tell a story...you have to really touch people beyond yourself. It's bigger than you, it's bigger than us.”
While hippy styles were born in the ’60s, they developed in the ’70s to become a key look for the decade. One of the most famous styles of the era, hippy outfits often featured unique, colourful designs. While cuts were kept simple and styles remained casual, the trend was bold and expressive. Denim, suede, bright prints and patterns, and flares all played a significant role in the trend. Although full hippy outfits can appear overly excessive in today’s environment, elements from the style can easily be incorporated to create a chic and modern, hipster look.
Every girl wishes to have a glamorous dressing table with all her jewelry and makeup, let it realize your princess dream! Beautiful and elegant black dressing table with round mirror and cushioned stool. The table with 3 drawers is great for storing all your jewelry, little treasures, and makeup. A smooth tabletop provides space for cosmetics and beauty supplies and also includes a matching wooden elegant stool. This is sure to add elegance and style to your bedroom.
Sit down and apply your makeup in style at this dramatic mirrored vanity set. Crafted of solid and manufactured wood in a pewter gray finish, this vanity strikes a rectangular silhouette with simple moldings, mirror-paneled sides, and a curvy, four-legged trestle base measuring 30.25" H x 32"W x 18" D overall. The front of the vanity folds down and the middle of the vanity top lifts up to reveal hidden storage space for jewelry and a brilliant detail mirror, while a matching, upholstered vanity...
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